“Law Law Land” Set design and Build

Law Law Land was this year’s summer production by Gotta Sing Gotta Dance Vancouver, a musical theatre camp held at the JCC/NRT. It is produced once at the end of July, and once at the end of August, with different musical theatre students each time (3-show run). The July production had over 60 performers. I was contracted to design and build a versatile, lightweight, creative set, mostly working with the producer (the indefatigable Perry Ehrlich), but also the director and other choreographers.

The material of choice is 3/16 foamcore, because it is light and holds its shape reasonably well. It’s more expensive than plywood or MDF, but for this production it makes a lot of sense.

design for Law Law Land

I spent a week plus in the workshop cutting, painting, and building pieces. Here are some build pictures:

I don’t have any pictures from the show (yet) but here are some rehearsal shots:

Dollars and Nonsense set design/build

Back in the summer I designed and built a lightweight set for Gotta Sing! Gotta Dance!, a theatre camp held in Vancouver. They put on an impressive musical twice, once for each group of students, after just a few days of rehearsing.

This set had to be stored in an upstairs room between camps, so it had to be simple and lightweight. I was introduced to 3/16″ foamcore and used it as the main material. I was able to fit the entire set into the back of my pickup truck (not including items like the desk and chairs which the director sourced).

Production watermarked photos by Hannes Photo: www.hannesphoto.com

Produced by Perry Elhrich; Directed by Meghan Anderssen; Lighting Design by Victoria Bell, Set Design by Andrew Potts; Projections by Meghan Anderssen

The play Dollars and Nonsense has many references to a certain popular board game. My design capitalized on this and the play is set in Atlantic City so there are some hints of the boardwalk etc. as well.

Foamcore is fairly rigid but it wasn’t quite enough to just sort of stand up by itself. Also I learned that both sides have to be painted, or there will be a lot of bowing.

The venue was the Norman Rothstein Theatre at the Jewish Community Center in Vancouver. This was the third time I had worked in this space.

It was a good experience, and I enjoyed watching the end result of the talented staff and students–colourful, musical, professional, and fun!